{"version":"1.0","provider_name":"JungianDirectory","provider_url":"https:\/\/jungian.directory\/fcxfougk","author_name":"Buranee Haupt","author_url":"https:\/\/jungian.directory\/fcxfougk\/author\/buraneehaupt\/","title":"The Jungian Music School 2025: Moanis' the Blues","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"mEphcFhBVz\"><a href=\"https:\/\/jungian.directory\/fcxfougk\/courses\/the-jungian-music-school-2025-moanis-the-blues\/\">The Jungian Music School 2025: Moanis&#8217; the Blues<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/jungian.directory\/fcxfougk\/courses\/the-jungian-music-school-2025-moanis-the-blues\/embed\/#?secret=mEphcFhBVz\" width=\"600\" height=\"338\" title=\"&#8220;The Jungian Music School 2025: Moanis&#8217; the Blues&#8221; &#8212; JungianDirectory\" data-secret=\"mEphcFhBVz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/jungian.directory\/fcxfougk\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/jungian.directory\/fcxfougk\/wp-content\/uploads\/2025\/10\/jazz-guitarist.jpg","thumbnail_width":1161,"thumbnail_height":957,"description":"Suffering and transcendence in African American blues music The Blues-man or Blues-woman, far from being a simple entertainer, provides a similar social and cultural role to the shaman or preacher. Rather than being an intermediary between the world of man and God (or in Jungian parlance, the ego and Self), he or she often fulfils [&hellip;]"}