{"id":105311,"date":"2023-11-24T11:50:42","date_gmt":"2023-11-24T11:50:42","guid":{"rendered":"https:\/\/jungian.directory\/fcxfougk\/?post_type=mec-events&#038;p=105311"},"modified":"2023-11-24T11:50:42","modified_gmt":"2023-11-24T11:50:42","slug":"jung-and-shakespeare-the-psychology-of-the-transference","status":"publish","type":"mec-events","link":"https:\/\/jungian.directory\/fcxfougk\/jungian-events\/jung-and-shakespeare-the-psychology-of-the-transference\/","title":{"rendered":"Jung and Shakespeare, The Psychology of the Transference"},"content":{"rendered":"<p align=\"right\"><em><span style=\"color: #000000; font-family: Times New Roman, serif;\"><span style=\"color: #222222; font-family: Georgia, serif;\">Practical analysis has shown us that unconscious contents are invariably projected at first upon concrete persons and situations.<\/span><\/span><\/em><\/p>\n<p align=\"right\"><span style=\"color: #000000; font-family: Times New Roman, serif;\"><em><span style=\"color: #222222; font-family: Georgia, serif;\">C. G. Jung (CW16, par.357)<\/span><\/em><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Times New Roman, serif;\"><span style=\"color: #222222; font-family: Georgia, serif;\">This is not a new phenomenon. We know that Shakespeare was aware of it because many of his plays feature characters who project onto others their unacknowledged psychic contents.<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Times New Roman, serif;\"><span style=\"color: #222222; font-family: Georgia, serif;\">We will discuss four of Shakespeare\u2019s plays:<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Times New Roman, serif;\"><span style=\"color: #222222; font-family: Georgia, serif;\">Week 1\u00a0<em>Coriolanus<\/em>. A brilliant primer on the grooming of a candidate for high public office,\u00a0\u00a0complete with handlers, coaches, strategists, and the stage mother to end all stage mothers, the magnificent Volumnia, who projects onto her son her own need for power. Take note of Coriolanus&#8217; love\/hate relationship with his enemy\/partner Aufidius and his attitude toward the common people.<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Times New Roman, serif;\"><span style=\"color: #222222; font-family: Georgia, serif;\">Week 2\u00a0<em>Cymbeline.<\/em>\u00a0Part history, part romance, part revenge tragedy, and part satire. The King opposes his daughter Imogen&#8217;s marriage and banishes her virtuous husband. His Queen (second wife) has a son, whom she wants Imogen to marry, thus making him heir to the throne. This is a play that tackles an intriguing set of problems about the relationship between political stories and psychological stories, between the state and the subject, and between political fiction and fact.<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Times New Roman, serif;\"><span style=\"color: #222222; font-family: Georgia, serif;\">Week 3\u00a0<em>The Winter&#8217;s Tale<\/em>. An ageless story of how one man&#8217;s suspicious nature and unchecked power poisons the lives of everyone around him.<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Times New Roman, serif;\"><span style=\"color: #222222; font-family: Georgia, serif;\">Week 4\u00a0<em>The Tempest<\/em>. Is this a beautiful story of magic and love, or is it a colonialist allegory? There is something troubling about this idealized picture of a man possessing arts and crafts, dominance and power, living on a small island with his daughter. We could see Prospero as a colonizer of territory not his own, who displaces the native ruler and enslaves its indigenous population. The play\u2019s structural design mirrors the human psyche: Caliban is dark and ugly but must be acknowledged. Ariel is the spirit of imagination, who cannot be possessed forever.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Practical analysis has shown us that unconscious contents are invariably projected at first upon concrete persons and situations. C. G. Jung (CW16, par.357) This is not a new phenomenon. We know that Shakespeare was aware of it because many of his plays feature characters who project onto others their unacknowledged psychic contents. We will discuss [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"mec_category":[542,210],"mec_speaker":[796],"class_list":["post-105311","mec-events","type-mec-events","status-publish","hentry","mec_category-webinar","mec_category-workshop"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.3 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Jung and Shakespeare, The Psychology of the Transference - JungianDirectory<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jung and Shakespeare, The Psychology of the Transference\" \/>\n<meta property=\"og:description\" content=\"Practical analysis has shown us that unconscious contents are invariably projected at first upon concrete persons and situations. 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