{"id":98288,"date":"2023-02-15T10:49:14","date_gmt":"2023-02-15T10:49:14","guid":{"rendered":"https:\/\/jungian.directory\/fcxfougk\/?post_type=mec-events&#038;p=98288"},"modified":"2023-04-06T14:33:44","modified_gmt":"2023-04-06T13:33:44","slug":"psychosocial-wednesdays-3","status":"publish","type":"mec-events","link":"https:\/\/jungian.directory\/fcxfougk\/jungian-events\/psychosocial-wednesdays-3\/","title":{"rendered":"Psychosocial Wednesdays: Individuation, Textuality, And Sexuality In Ursula Le Guin&#8217;s Lavinia"},"content":{"rendered":"<p>Lavinia, the silent epic character originally in Virgil\u2019s Aeneid is given a voice and transformed into a heroine in Ursula Le Guin\u2019s novel, Lavinia. Roula-Maria Dib\u2019s article explores how, in the novel version, Lavinia is not only a heroine, but she is re-written into freedom, animated and individuated within the space of fiction and language. The freedom given to the female protagonist within this new dimension is the product of vivid active imagination, textual individuation, and the realm of possibilities rendered by the combination of reality, surreality, and possibilities within the novel\u2019s quantum-like structure. According to Susan Rowland, \u2018active imagination is a way of improving and enhancing individuation\u2019, which is what the novel does with Lavinia; myth-like in its archetypal manifestations, with its plot and characters, it is in an active dialogue and relationship with The Aeneid, performing a living conversation between Lavinia and Virgil. The protagonist is aware of her (textual) existence, which is an individuating re-telling of the myth through her own voice. Within this unique dimension of possibilities offered by Le Guin\u2019s writing, is a non-conventional form of fiction resembling the laws of quantum mechanics, bringing life and liberation to Lavinia through the novel\u2019s alternative forms of reality.<\/p>\n<p>Event is free of charge, registration required.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lavinia, the silent epic character originally in Virgil\u2019s Aeneid is given a voice and transformed into a heroine in Ursula Le Guin\u2019s novel, Lavinia. Roula-Maria Dib\u2019s article explores how, in the novel version, Lavinia is not only a heroine, but she is re-written into freedom, animated and individuated within the space of fiction and language. [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":99713,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"mec_category":[2378,184,542],"mec_speaker":[1841],"class_list":["post-98288","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","mec_category-free-event","mec_category-lecture","mec_category-webinar"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.3 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Psychosocial Wednesdays: Individuation, Textuality, And Sexuality In Ursula Le Guin&#039;s Lavinia - JungianDirectory<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Psychosocial Wednesdays: Individuation, Textuality, And Sexuality In Ursula Le Guin&#039;s Lavinia\" \/>\n<meta property=\"og:description\" content=\"Lavinia, the silent epic character originally in Virgil\u2019s Aeneid is given a voice and transformed into a heroine in Ursula Le Guin\u2019s novel, Lavinia. 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