{"id":124863,"date":"2026-02-06T08:57:22","date_gmt":"2026-02-06T08:57:22","guid":{"rendered":"https:\/\/jungian.directory\/fcxfougk\/?p=124863"},"modified":"2026-02-06T08:57:22","modified_gmt":"2026-02-06T08:57:22","slug":"marking-the-psyche-art-memory-and-identity","status":"publish","type":"post","link":"https:\/\/jungian.directory\/fcxfougk\/marking-the-psyche-art-memory-and-identity\/","title":{"rendered":"Marking the Psyche: Art, Memory, and Identity"},"content":{"rendered":"

The most recent issue of Jung Journal: Culture & Psyche<\/em><\/a> offers a diverse collection of theoretical, clinical, and creative contributions to analytical psychology. The issue opens with Editor-in-Chief Audrey Punnett’s editorial Thank You<\/em><\/a>, (open access)<\/strong> followed by Ama Codjoe’s Six Sonnets<\/em><\/a> in the poetry section. The features section includes Joan P. Uraneck’s Picasso’s Blue Dove, 1961<\/em><\/a> which explores wholeness through visual art, and Susanne Short’s Synchronicity and Jung’s Black Books<\/em><\/a>, examining synchronicity within Jung’s early notebooks. Robert Tyminski contributes Perimeters That Shape Who We Are<\/em><\/a> investigating boundary formation and identity. Two essays address gender and memory: Anil D’Souza and Richa Srishti’s The Danish Girl<\/em><\/a> analyses gender through film, while Ronald Schenk’s Phantoms in the Raw<\/em><\/a> explores memory’s temporal dimensions. Luke Oram and Keith Tudor present Remaking the Imago Paterna<\/em><\/a> (open access)<\/strong> examining father images, and Joanne Wieland-Burston contributes Echoes of the Past<\/em><\/a> on inherited collective shadow material. The “In Film & Video” section features John Beebe’s Apologizing for Being Violated<\/em><\/a>. The “Blocks & Mortar” section – personal reflections on Jungian vocations – includes Carolyn Bray’s With Curiosity and Imagination<\/em><\/a>, Steven Herrmann’s Letters from Katherine<\/em><\/a>, Carmen Ada Gonzalez’s How I Was Drawn to Jung and the Call for This Work<\/em><\/a>, and Juan M. Ibarra’s Taking Down Walls<\/em><\/a>. Stacy Hassen contributes ARAS SF Teen Vision Project 2025<\/em><\/a> for the ARAS section, and Robin Eve Greenberg reviews Barbara Holifield’s Being with the Body in Depth Psychology <\/em>(Routledge, 2025) in Home in the Body<\/em><\/a>. The issue concludes with two corrections, both of which are open access.\u00a0<\/strong>You can access the first here<\/a>, and the second here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The most recent issue of Jung Journal: Culture & Psyche offers a diverse collection of theoretical, clinical, and creative contributions to analytical psychology. The issue opens with Editor-in-Chief Audrey Punnett’s editorial Thank You, (open access) followed by Ama Codjoe’s Six Sonnets in the poetry section. The features section includes Joan P. Uraneck’s Picasso’s Blue Dove, […]<\/p>\n","protected":false},"author":17,"featured_media":124864,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ep_exclude_from_search":false,"footnotes":""},"categories":[1792,717],"tags":[],"class_list":["post-124863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-post","category-news"],"acf":[],"yoast_head":"\nMarking the Psyche: Art, Memory, and Identity - JungianDirectory<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marking the Psyche: Art, Memory, and Identity\" \/>\n<meta property=\"og:description\" content=\"The most recent issue of Jung Journal: Culture & Psyche offers a diverse collection of theoretical, clinical, and creative contributions to analytical psychology. 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