In the best case scenario, artists have functioned as the nerve ends of society, bringing new content from the unconscious to the viewer. This series will introduce students to a wide range of topics and art works from the last seventy years. Much Jungian writing by analysts tends to use art works as a kind of illustration, rather than exploring the depths of their creative process. Artist such as Hermann Nitsch, whose work is too revolutionary and bloody, have not been included in any Jungian literature. Nitsch based much of his work on Jung’s volume the Mysterium Coniunctionis (1970) and Psychology and Religion: West and East (1970).