About the Author
Brigid E. Vance, currently an associate professor of History at Lawrence University in Appleton, Wisconsin, earned a PhD in History at Princeton University (2012) and a certificate in Further Education in Analytical Psychology from the CG Jung Institute in Zürich, Switzerland (2017). Her article, “Finding Their Voice: Student Podcasts on the East Asian Collection at Lawrence University’s Wriston Galleries” (The History Teacher 2021) won the 2022 American Historical Association William and Edwyna Gilbert Award for the best essay on teaching history. In 2020, Lawrence University recognized her exemplary pedagogy with the Award for Excellent Teaching by an Early Career Faculty Member.
Table of Contents
Chapter 1 Merging Myth and History
Chapter 2 Action through Dreams
Chapter 3 Divine the Past to Reaffirm Literati Status
Chapter 4 Reaffirming an Order by Mastering the Complexity of Dreams
Chapter 5 A Literatus’ Toolkit for Dream Interpretation
Epilogue The Code of Creativity
Appendix Title Page and Edition Comparison of Forest of Dreams
Reviews
This is a fresh look at a chapter in the history of dream interpretation that has been little discussed in English language sources. Vance brings her own grace at expression to uncover the code of unconscious cultural creativity that Ming intellectuals found in their dreams.
In this captivating and methodologically innovative book, Vance immerses readers in the dream world of the Ming. Bringing historical insight to bear on personal experience, she inspires readers to reflect on the enduring power of dreams and memory to shape social identity and self-expression.
An exquisitely told tale of another time with deep resonance for our own. Marginalized and disempowered in the social and political chaos of late Ming China, educated literati turned to dreams for meaning, understanding and escape in the “end of times.”
It is a truly unique history book, yet so much more than that. It draws you in with an engaging analysis of how people sought certainty in flux and found control through creative play. Vance writes as if she and the reader inhabit the same world as the Ming people, imbuing the book with irresistible charm.