Film & Psychoanalysis | Harold and Maude

Discover the reparative power of connection that can facilitate growth and change.

The 1971 black comedy Harold and Maude, directed by Hal Ashby and written by Colin Higgins, has secured its place as one of Hollywood's quintessential cult classics, celebrated for its eccentric charm and poignant exploration of life, death, and connection. Initially met with mixed reviews and modest box office success, the film gained a devoted following over the decades, praised for its offbeat humor, unique characters, and timeless message.

The story follows the unlikely relationship between Harold, a morbid, death-obsessed young man, and Maude, a free-spirited septuagenarian who approaches life with boundless curiosity and joy. Together, they navigate themes of mortality, purpose, and liberation from societal norms. The film’s enduring appeal lies in its unconventional narrative, iconic Cat Stevens soundtrack, and its celebration of individuality, human resilience, and the transformative power of relationships.

From a psychoanalytic perspective, Harold and Maude can be understood as an allegory of therapeutic change and healing. Harold’s journey mirrors the intrapsychic work of moving beyond rigid defenses and despair, toward vitality and authentic engagement with life. Maude’s presence as a symbolic “good object,” embodying acceptance and hope, facilitates Harold's capacity for growth and change. Their bond serves as a metaphor for the reparative power of connection and the way new relational experiences can reshape internalized patterns of thinking, feeling, and relating.