The most recent issue of Jung Journal: Culture & Psyche offers a diverse collection of theoretical, clinical, and creative contributions to analytical psychology. The issue opens with Editor-in-Chief Audrey Punnett’s editorial Thank You, (open access) followed by Ama Codjoe’s Six Sonnets in the poetry section. The features section includes Joan P. Uraneck’s Picasso’s Blue Dove, 1961 which explores wholeness through visual art, and Susanne Short’s Synchronicity and Jung’s Black Books, examining synchronicity within Jung’s early notebooks. Robert Tyminski contributes Perimeters That Shape Who We Are investigating boundary formation and identity. Two essays address gender and memory: Anil D’Souza and Richa Srishti’s The Danish Girl analyses gender through film, while Ronald Schenk’s Phantoms in the Raw explores memory’s temporal dimensions. Luke Oram and Keith Tudor present Remaking the Imago Paterna (open access) examining father images, and Joanne Wieland-Burston contributes Echoes of the Past on inherited collective shadow material. The “In Film & Video” section features John Beebe’s Apologizing for Being Violated. The “Blocks & Mortar” section – personal reflections on Jungian vocations – includes Carolyn Bray’s With Curiosity and Imagination, Steven Herrmann’s Letters from Katherine, Carmen Ada Gonzalez’s How I Was Drawn to Jung and the Call for This Work, and Juan M. Ibarra’s Taking Down Walls. Stacy Hassen contributes ARAS SF Teen Vision Project 2025 for the ARAS section, and Robin Eve Greenberg reviews Barbara Holifield’s Being with the Body in Depth Psychology (Routledge, 2025) in Home in the Body. The issue concludes with two corrections, both of which are open access. You can access the first here, and the second here.